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[FORTHCOMING] MoniMoni is the first ever comprehensive publication on performance artist Salim zgilik (b. 1966, Turkey), also known as Moni, who began producing in 1985. It chronicles the story and practice of this under recognised artist, mapping his provocative works and audience engaging approach in the 1980s and 1990s. Putting Monis diverse practicespanning painting, murals, installations, performances, and happeningsin dialogue with the Turkish and international

interrupting

in a political moment defined by the close of the Obama era and the steady rise of #BlackLivesMatter activism

and grandmother are woven together through the eyes of the protagonist to create a cohesive feminist voice that explores the past and its influence on the present

Series such as Shelter Blues animate his first-hand experiences of homelessness

body-hacking

and includes an extended interview with the artist

articulate

Reflecting the ambiguous perceptions about intimacy experienced in Japanese culture

leading to disputes and sometimes to legal challenges concerning authenticity

Whether we are talking about images from surveillance cameras or satellites

it is the talisman of environmental degradation

The standard airport aesthetic obscured any signs of the absolute specificity of this place

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