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Grass Seed DreamingIn many of Barbara Weirs paintings, long, tapering lines overlap gracefully to represent a grass once abundant at Utopia before cattle grazing was introduced in the early 20th century. Its botanical name is Portulaca oleracea. For thousands of years, this grass has been important to Aboriginal people because its small black seeds can be ground into flour. Rather than painting the seeds, Weir depicts the grass itself. Her colours show its natural

Maria Curley is painting the Caterpillar Dreaming that she inherited from her Grandmother

and witchetty grubs

The spring is in a gorge with the open sky shown as a plain expanse of paint above the water and rock faces

one of the early Papunya Tula artists

Delma was born in 1968 and has been painting with Kaltjiti Arts for many years

and technique

Her upbringing in these locations deeply influenced her connection to her Country and culture

2016 Another Country – Art Aborigene Contemporain”

loose paint application

Anita proudly shares women’s stories in her paintings

These stories evoke memories of times when families cared for the land

blankets and clothes