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Isabelle Wenzel / Counting Till TenIn Counting Till Ten, Isabelle Wenzel plays a game. A game where she challenges herself as well as the viewer. Improvisation is an important element in this game. Things happen by mistake. Wenzel questions the role of the camera and the one of the (female) body. She makes use of her own body as a model in order to convey an image by movement. Wenzel works in a fast, direct and very spontaneous way. Photographer and model become one. Performance is

a handmade collage by post

manipulation and some-times photographic staging

raises the question of the sun as the very condition of the image and the gaze

Its popularity attracted international figures such as Ella Fitzgerald

On al-most daily bike rides past the enormous trash piles in Amsterdam

art historian by trade

“Maitland’s digital renderings make the eyes skip and the mind race with their unusual juxtapositions

and the strange comfort of remaining unfinished

That Stief DeSmet ‘understands’ what Frankie means like no other

How do places appear and disappear

and offices

We are confronted with fragmentary remains—objects of a luminous metamorphosis