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Kasper Bosmans ‘Specimen Days’Kasper Bosmans (b. 1990) dives deeply into the rich cultural history of materials, objects, traditions and customs. The references in his work betray a broad spectrum of sources, from folkloristic stories and cultural practices to historic research on painterly techniques or botanical cross breeding. In most cases he focuses intuitively on specific, sometimes fragile, sometimes playful facts and stories that are close to ordinary life but which,

‘Everything seems to have a standard place

1949) intervenes

Hannelore Van Dijck (b

annoyed and teased

from 21 February to 17 May 2026

The Attraction of the Mountains is both one and many books

from process to product

as opposed to oil painting or sculpture

This lends these objects an aesthetic clarity and quality

Marc Foxx Gallery and ar-te/archpelago/baev

and how closely they are interrelated

he takes them out of their ordinary context