RON JUDE, DARK MATTER painting and Ju|’hoansi in Namibia)

and Ju|’hoansi in Namibia)

‘Object-Oriented Identity: Cultural belongings from our recent past’ is a journey through objects and identities

In Lino’s case she is the model

We’re caught off guard and overwhelmed

RON JUDE, DARK MATTER painting and Ju|’hoansi in Namibia)In Dark Matter, Ron Jude revisits the source material taken from photographs in his hometown newspaper in Central Idaho in the American West. In this new body of work, Jude reimagines how these photographs can be configured to reflect this microcosms collective mood and values. Motivated by a sense of unease and bewilderment with the cultural bifurcation of America, and grounded in a sense of tragedy, loss, and rage, Jude uses a looping tempo of