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Rita Lino / ReplicaReplica suggest a new reading of the body and the model as a pure image, a pure tool, without referring to any representative identity, hereby ignoring todays contemporary society of what the self should be. Lino refers strongly to American mid century photographer William Mortensen, who states that a body is simply considered to be a machine that needs adjustments. According to Mortensen the body must be the basis, representation of personality and

he underlines the absurdity of truth and objectivity in photography while playing with our reliance upon taxonomies around sexual representation

in Ghent for a year

scattered pieces of land

his work plays with the conflicting hybridization of iconotexts today

even when everything else is swept away

these wearables are socio-technical constructions that mediate our relationship with the environment—they negotiate our daily struggles

interiority and intimacy that can be shared with someone

All palm trees look alike

this over a period of three years

I will be naked

Lantinks collection consists of one-of-a-kind pieces created from deadstock and thus creating new work from existing materials referring to Marcel Duchamp’s ready-mades

She started redacting the work and arranging it into an artist’s book

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