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Nico Krijno / Collages 2020-2022On paper, a book may seem a peculiar object to accommodate Nico Krijnos work. By virtue of its form, a book is finite, a neat vessel that lends itself to those narratives with a beginning and end. Krijnos work, however, is not finite; it has no resolution or discernible moments that can be easily pointed at, bound and labelled. And neither does it ebb or flow in tidy rhythms but accumulates, constantly and relentlessly. If anything, Krijnos work feels

For Deubner taking close-ups is a way of working that is essential to her practice

Consisting of personal documentations spanning fifty years

but represents every type of makeup that has ever been used

is proposed

“Palimpsest” explores the makeup of the conceptual and physical landscape of Western cultural knowledge and heritage: how does contemporaneity assert itself from the penumbra of history

and she shows the viewer how the medium of photography can be pure joy

He wanted to strip the figure from its emotion and personality

No more than three words

‘Object-Oriented Identity: Cultural belongings from our recent past’ is a journey through objects and identities

As both narrator and subject

a face and daily gestures that a permanent sun cuts out and includes in a room of a living space

moving elements of nature such as insects

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