William Stanley Haseltine — Santa Maria della Salute, Sunset | Panoramic Print

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William Stanley Haseltine — Santa Maria della Salute, Sunset | Panoramic PrintWilliam Stanley Haseltine (18351900) was an American landscape painter associated with the Hudson River School and the Luminist tradition, who spent much of his career in Europe. His views of Venice luminous, architecturally precise, suffused with golden evening light stand among the finest American landscape paintings of the 19th century. His treatment of water, stone, and the particular quality of Venetian light places him in the company of

William Morris (1834–1896) was the central figure of the Arts and Crafts movement — a British designer

the divided body of truth — into a single elegant image

contemplation

these prints pair collector-grade aesthetics with a modern interior sensibility

The Shin Bijutsukai (New Art Society) was a Meiji-era design circle that produced some of the most refined decorative art objects and textile patterns of late 19th-century Japan — works that combined traditional Japanese aesthetics with the new design sensibility of the Meiji modernisation period

Jalāl ad-Dīn Muḥammad Rūmī (1207–1273) was a 13th-century Persian Sufi mystic

Emilio Pettoruti (1892–1971) was an Argentine painter who studied in Florence and became the most important early practitioner of Cubism in Latin America

who spent much of his career in Europe

His work is central to the permanent collection of the Whitney Museum of American Art

David James (1853–1904) was a British marine painter celebrated for his dramatic

the Chester Beatty Library

Printed on Hahnemühle German Etching paper — the same archival stock museum studios use — through a 12-ink giclée process that holds colour the way memory holds detail: precisely

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