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#316 September – October 2017This issue of Flash Art serves as a window on developments in the field of artificial intelligence. It therefore sits at the intersection of several contiguous discourses, among them contemporary art and new media studies, as well as computer and social science. Our ongoing cession of identity to nonhuman agents and intelligence demands new structures of analysis. This edition divides its treatment of AI according to theories of utopia and dystopia,

wearing Sunnei

Elif Erkan at Weiss Berlin

Against a backdrop in which AI’s implications are being contested by Elon Musk and Mark Zuckerberg

They capture the spirit of the uniform — the desire for an eternal fashion — without enforcing it literally

The label’s agenda for a “horizontal” clothing company not only defies the threat of elitism that even the most progressive and experimental fashion labels seem to strengthen

Marfa (TX)

lack of efficiency and a sense of messiness in my pieces

Ellen Gallagher with Edgard Cleijne: Liquid Intelligence

On cover: Kensuke Koike

(From Flash Art International

to take place at the 9th Berlin Biennale for Contemporary Art and at the British Pavilion of the 15th Venice Architecture Biennale

Andrew Durbin

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